RRRRReality.
Franziska Nast
von Franziska Nast, herausgegeben von Arp Museum Bahnhof Rolandseck, Julia Wallner und Jutta MatternDieses Buch gleicht einem Steinbruch.
Zu sehen sind Über- und Ablagerungen aus den Jahren 2002−2023 aus Papier, Polyester, Bronze, Keramik, dazwischen Wolle, Vinyl, Tinte, Notizen auf Haut und Parkplätzen, in Fußgängerzonen, Wohnungen, Ausstellungshäusern, dem Kunstverein St. Pauli und bei Herbert Hoffmann. Schichten von Kommunikationsdesign, Kunst im öffentlichen Raum, Performance, Fotografie, Video, Zeichnung, Tätowierung, Mode treten zu Tage. Bilder, die schnell (Hochdruckreinigerzeichnung) oder nie mehr (Tattoo) verschwinden. Sprache als künstlerisches Ausdrucksmittel ist allgegenwärtig.
This book is like a quarry. It presents layers and deposits from 2002–2023 made of paper, polyester, bronze, ceramics interspersed with wool, vinyl, ink, notes on skin and parking lots, in pedestrian zones, apartments, exhibition halls, at Kunstverein St. Pauli and at the tattoo artist Herbert Hoffmann. Layers of communication design, art in the public space, performance, photography, video, drawing, tattooing, fashion come to light. Images that disappear quickly (high-pressure cleaner drawings) or ones that will never disappear again (tattoos). Language as a means of artistic expression is omnipresent.
Mit Begleittexten zu Stichworten wie: umdenken von A–Z. nasty habits. Sause vs. Pause oder auch mit dreckigen Socken auf weißem Teppich. Déjà-vu. festhalten, was verschwindet, vielleicht sogar forever. Wunderkammer. Archiv. Das Leben intuitiv erfassen. Sitzsack. Warten, Zeitsprünge, Beschleunigung, Tretminen. Guillotinierte Glieder. Der längste Hashtag der Welt. Palimpsest. Glaube Liebe Hoffnung. Grand Paradise Highway. Muttersprache. Augenhöhe. Plastik und Poesie. There are so many versions of us. Gang. Tapetenwechsel
Featuring accompanying texts on keywords such as: rethinking from A–Z. nasty habits. Boozing vs. Snoozing or even walking in dirty socks over a white carpet. Déjà-vu. hold on to what disappears, maybe even forever. Chamber of Miracles. Archive. Grasping Life Intuitively. Beanbag. Waiting, Leaps in Time, Acceleration, Anti-Personal Mines. Guillotined Limbs. The Longest Hashtag in the World. Palimpsest. Faith Love Hope. Grand Paradise Highway. Mother Tongue. Eye Level. Plastic and Poetry. There are so many versions of us. Gang. Change of Scene. Full Blast
This book is like a quarry. It presents layers and deposits from 2002–2023 made of paper, polyester, bronze, ceramics interspersed with wool, vinyl, ink, notes on skin and parking lots, in pedestrian zones, apartments, exhibition halls, at Kunstverein St. Pauli and at the tattoo artist Herbert Hoffmann. Layers of communication design, art in the public space, performance, photography, video, drawing, tattooing, fashion come to light. Images that disappear quickly (high-pressure cleaner drawings) or ones that will never disappear again (tattoos). Language as a means of artistic expression is omnipresent.
Mit Begleittexten zu Stichworten wie: umdenken von A–Z. nasty habits. Sause vs. Pause oder auch mit dreckigen Socken auf weißem Teppich. Déjà-vu. festhalten, was verschwindet, vielleicht sogar forever. Wunderkammer. Archiv. Das Leben intuitiv erfassen. Sitzsack. Warten, Zeitsprünge, Beschleunigung, Tretminen. Guillotinierte Glieder. Der längste Hashtag der Welt. Palimpsest. Glaube Liebe Hoffnung. Grand Paradise Highway. Muttersprache. Augenhöhe. Plastik und Poesie. There are so many versions of us. Gang. Tapetenwechsel
Featuring accompanying texts on keywords such as: rethinking from A–Z. nasty habits. Boozing vs. Snoozing or even walking in dirty socks over a white carpet. Déjà-vu. hold on to what disappears, maybe even forever. Chamber of Miracles. Archive. Grasping Life Intuitively. Beanbag. Waiting, Leaps in Time, Acceleration, Anti-Personal Mines. Guillotined Limbs. The Longest Hashtag in the World. Palimpsest. Faith Love Hope. Grand Paradise Highway. Mother Tongue. Eye Level. Plastic and Poetry. There are so many versions of us. Gang. Change of Scene. Full Blast