Bach's Lute Works from the Guitarist's Perspective Vol. 2 - BWV 998/999/1000 von Tilman Hoppstock | ISBN 9783941734081

Bach's Lute Works from the Guitarist's Perspective Vol. 2 - BWV 998/999/1000

von Tilman Hoppstock, aus dem Englischen übersetzt von Lindsay Chalmers-Gerbracht
Mitwirkende
Autor / AutorinTilman Hoppstock
Übersetzt vonLindsay Chalmers-Gerbracht
Einführung vonHopkinson Smith
Buchcover Bach's Lute Works from the Guitarist's Perspective Vol. 2 - BWV 998/999/1000 | Tilman Hoppstock | EAN 9783941734081 | ISBN 3-941734-08-3 | ISBN 978-3-941734-08-1

Fachpublikum / Wissenschaftler; Fachhochschul-/Hochschulausbildung
Studenten, students, Musiker, musicians, music students, Musikstudenten, Gitarristen, guitarists, Musikwissenschaftler, music scientologists, Musiklehrer, teachers for music, Musikprofessoren, music professors, Musikbibliothen, music libraries, music library, music high school, university, universities, music universities, music school

Bach's Lute Works from the Guitarist's Perspective Vol. 2 - BWV 998/999/1000

von Tilman Hoppstock, aus dem Englischen übersetzt von Lindsay Chalmers-Gerbracht
Mitwirkende
Autor / AutorinTilman Hoppstock
Übersetzt vonLindsay Chalmers-Gerbracht
Einführung vonHopkinson Smith
Following the publication of Volume I the author originally prescribed himself an extended writing break. Numerous enquiries by lutenists, guitarists, colleagues, students and also from many Bach enthusiasts requesting a continuation of the series in the near future however persuaded the writer to commence work on the second volume earlier than intended. As in Volume I, the author investigates Bachs lute works Prelude, Fugue & Allegro BWV 998, Prelude 999 and the famous Fugue 1000 from multifaceted and frequently unconventional aspects. The book also has a special focus on the topic of polyphony, including sections on concealed fugue themes and virtual polyphony, and beginning with a short introduction on the history of the fugue. The author serves up a humorous delicacy in a separate chapter to round off the book. As in Vol. 1 a wealth of concepts and theories are illustrated aurally with the help of the 99 musical extracts on the accompanying CD. 500 music examples in print CD with 99 tracks, music examples Preface by Hopkinson Smith